‘A DRESS / Address’ collaboration with Alix Pearlstein
BIO
SUZANNE McCLELLAND (b. 1959, Jacksonville, Florida) includes large-scale paintings, works on paper, and books in her practice. These often extract fragments of speech or text from various cultural sources; explore the social, symbolic, and material possibilities that reside within language; and celebrate the physicality of speech and sound. McClelland parses such issues as the limitations and malleability of communication, the impact of technology on interpreting information, and the mechanics of translation. Her works are infused with social commentary, underscoring the way in which language itself is gendered and politicized by its physical and spatial context.
McClelland’s work has been exhibited extensively since the early 1990s. Solo exhibitions of her work have been presented at the Aldrich Museum of Contemporary Art, Ridgefield, CT; the Whitney Museum of American Art at Philip Morris, New York, NY; the Fralin Museum of Art at the University of Virginia, Charlottesville, VA; and the Orlando Museum of Art, FL. Her work was included in the 1993 and 2014 Whitney Biennials, and she has been included in group exhibitions at the Metropolitan Museum of Art, New York, NY; Parrish Art Museum, NY; Wexner Center for the Arts, OH; Pulitzer Arts Foundation, MO; the National Museum of Women in the Arts, Washington, D.C.; and the New Museum of Contemporary Art, NY.
Her work is held in numerous public collections including that of; the Museum of Modern Art, NY; the Metropolitan Museum of Art, NY; The Parrish Art Museum, NY; the Walker Art Center, MN; and the Brooklyn Museum, Brooklyn, NY, The Whitney Museum of American Art, NY, among many others.
Awards and residencies include Guggenheim Fellowship, PS1/ Clocktower Artist Residency, Nancy Graves Foundation Grant, American Academy of Arts and Letters, Anonymous Was A Woman Award, Lab Grant Residency with Dieu Donne Papermill, Visiting Artist Residency with Urban Glass, Brooklyn NY and Resident Artist in 1999 and 2022 with Skowhegan School of Painting and Sculpture, Maine where she has served on the board of governors since 2000. Recent publications include the monograph “Suzanne McClelland: 36-24-36” with an essay contribution by Thierry de Duve, published by team (gallery, inc.) distributed by D.A.P. Mcclelland is represented by Marianne Boesky Gallery, NYC.
McClelland earned an MFA at the School of the Visual Arts, New York, NY and a BFA from the University of Michigan, Ann Arbor, MI. McClelland lives and works in Brooklyn and Orient NY
McClelland’s pictures find their genesis in textual elements -- words and numbers. The artist considers writing as a form of drawing, especially as handwriting falls increasingly out of use, almost entirely replaced by typing. Her method of writing is born of careful listening, tethering sounds to language. The paintings seek to fill the perceptional gap between what she hears and what she reads. The artworks are synesthetically representational -- portrayals of the mechanical and verbal languages that permeate our surroundings. McClelland is conscious of her paintings’ two-dimensionality and the particular kind of reading it necessitates. They showcase a keen but unorthodox sense of form: one which resists the lure of beauty, employing interruptions in formal fluidity to develop a particular breed of legibility. They find part of their appeal in this difficulty: the abruptness, the willingness to obscure a piece of text or a shape, allowing the artist’s heard language to come to visual life. We rely on numbers to provide us with a sense of order, to give shape and meaning to something otherwise difficult to comprehend fully. These pictures explore the ways in which numbers and words affect and relate to human lives, particularly in light of the recent collapse of faith in facts, when mathematical projections and language itself are questioned.
- Tom Brewer for team (gallery, inc.) 2013
Projects, Works, and Exhibitions by Year
*= solo show **= book/ publication
2023
2023 Basel, CH, Unlimited / Art Basel 2023, Solo Presentation with Marianne Boesky Gallery, curated by Giovanni Carmine, June 12 - 18 *
Artists Choose Parrish Part II August 20,2023-February 4, 2024.
Montclair Art Museum, Taking Space: Contemporary Women Artists and the Politics of Scale, curated Gail Stavitsky, Montclair, NJ, September 15, 2023 – January 7, 2024
RUSCHWOMAN, I Live in a Box of Paints (I'm Drawn to Those Ones that Ain't Afraid), Chicago, IL, January 8 – February 19, 2023
2022
Fragile Crossings, Goodman Gallery, London
Remix, Project at de boer gallery, Los Angeles, CA
2021
Library, Two-person show with Alix Pearlstein at roseyendpost, Greenport, NY
PLAYLIST, Marianne Boesky Gallery, New York, NY *
PLAYLIST: Spotify Archive and Youtube Playlist, collaboration with Lauren Krasnoff and Willa Schwabsky **
PLAY BACK PLAY LIST PLAY BOOK, Artist book with Space Sisters Press **
Brooklyn Rail New Social Environment #300: Suzanne McClelland Artist Suzanne McClelland joins Rail Editor-at-Large Tom McGlynn and Rail ArtSeen Editor Amanda Gluibizzi for a conversation. Poetry reading by Monica de la Torre.
NADA House 2021, de boer gallery, Governor’s Island, New York, NY
MUTE, Marianne Boesky Gallery, Aspen, CO *
2020
ART BASEL MIAMI BEACH SOLO BOOTH, Marianne Boesky Gallery, New York, NY
TRILLION, de boer gallery, Los Angeles, CA (catalog)
To the Hoop | Basketball and Contemporary Art, curated by Dr. Emily Stamey, Weatherspoon Art Museum, Greensboro, NC (Gina Adams, Daniel Arsham, Bill Bamberger, Janet Biggs, Mark Bradford, Kendell Carter, André Leon Gray, David Hammons, David Hilliard, David Huffman, Brian Jungen, Jeff Koons, Suzanne McClelland, Esmaa Mohamoud, New Craft Artists in Action (NCAA), Paul Pfeiffer, Joyce J. Scott, Lorna Simpson, Victor Solomon, Hank Willis Thomas, and Nari Ward)
‘A DRESS / Address’, with Alix Pearlstein, published by Space Sisters Press, Beacon, NY**
Hirsch, Faye, “Suzanne McClelland’s ‘Mute’ Paintings Demonstrate a Provocative Silence in an Era of Noise,” Art in America (January 13, 2020)
Avgikos, Jan, “Suzanne McClelland,” Artforum (January 2020)
2019
MUTE, team gallery, 83 Grand Street, New York, NY*
"Playlist" published by Space Sisters Press, Beacon NY**
Selections from Mute, team (gallery, inc.), New York, NY*
Notebook, curated by Joanne Greenbaum, 56HENRY, New York, NY
Troedsson Villa Residency, Nikko, Japan
2018
Under Erasure, curated by Heather Bause and Raphael Rubinstein, Pierogi Gallery, New York
Spine, Co-curator with Leeza Meksin, Ortega y Gasset Projects, Brooklyn, NY; accompanying book published by Space Sisters Press (details here)**
Rindon Johnson, Suzanne McClelland, Iiu Susiraja, Meredith Rosen Gallery, New York, NY
Net Worth, book published by Space Sisters Press/Gretchen Kraus Beacon, NY**
Knock Knock, book published by Space Sisters Press/Gretchen Kraus Beacon NY**
boyswillbeboyswillbeboys, artist poster published by Space Sisters Press/Gretchen Kraus Beacon NY**
helen at the mountain, curated by Anne Eastman, Testuo’s Garage, Nikko, Japan (details here)
Spine, Megan N. Liberty, The Brooklyn Rail (November 1, 2018)**
NEW YORK — MARK IS ON VIEW AT TEAM GALLERY THROUGH APRIL 21, 2018, Osman Can Yerebakan, Art Observed (April 21, 2018)**
2017
Just Left Feel Right, curated by Amy Smith-Stewart,(accompanied by catalog essay titled "third party" by Amy Smith-Stewart), The Aldrich Contemporary Art Museum, Ridgefield, CT
Rank, team (bungalow), Venice, CA, (solo exhibition)*
Glass Ceiling: Art of Resilience and Fragility, Adel Abdessemed, A.K. Burns & Katherine Hubbard, Alexandra Ben-Abba, Anna Campbell, Jes Fan, Alison Kudlow, Louise Lawler, Jennifer Wen Ma, Suzanne McClelland, Omar Mismar, Sable Elyse Smith, and Louis Zoellar Bickett curated by Osman Can Yerebakan, UrbanGlass, Brooklyn, NY
Non Atomic, Holly Veselka, Linne Urbye, Julianne Swartz, Erin Shirreff, Margaux Ogden, Katrina Moorhead, Jenny Monick, Suzanne McClelland, Thomas Kovachevich, Rosy Keyser, Pam Glick, Sarah French, Dana Frankfort, Nicole Cherubini, Sarah Braman, Suzanne Bocanegra, Juana Berrio, and Teresa Baker, curated by Dana Frankfort and Jenny Monick, 215 Orleans, Beaumont, TX
Feedback, curated by Leo Fitzpatrick, Marlborough Contemporary, New York, NY (details here)
Lyric on a Battlefield, curated by Miciah Hussey, Barbara Gladstone Gallery, New York, NY (details here)
Blue Black, curated by Glenn Ligon, Pulitzer Arts Foundation, St. Louis, MO (details here)
Gray Matters, curated by Michael Goodson, Wexner Center for the Arts, Columbus, OH (details here)
The Coverly Set, Sargent's Daughters, New York, NY (details here)
It will be more like scratching than writing, curated by Matt Morris, Goldfinch, Chicago, IL
Frieze New York 2017, Shane Campbell Gallery, New York, NY
At Brooklyn’s Urban Glass, Artists Smash Symbolic Ceilings, Margaret Carrigan, (November 30, 2017)**
500 words, Suzanne McClelland on her exhibition at the Aldrich Contemporary Art Museum, Laura Hoffmann, Artforum (August 24, 2017)**
What to See in New York Art Galleries This Week, Roberta Smith, Martha Schwendener and Will Heinrich, The New York Times (July 27, 2017)**
The Dynamite ‘Feedback,’ Curated by Leo Fitzpatrick, Explores Collaboration in Art, Jennifer Krasinski, the village VOICE, (July 25, 2017)**
Lyric on a Battlefield, Osman Can Yerebakan, ART OBSERVED (July 24, 2017)**
Suzanne McClelland at The Aldrich Contemporary Art Museum, Blouin Artinfo, Ridgefield, Connecticut (July 21, 2017)**
Artists Embrace the Grayscale, Sarah Rose Sharp, HYPERALLERGIC (July 20, 2017)**
Suzanne McClelland: Just Left Feel Right, Osman Can Yerebakan, Art New England (May/June 2017)**
Inside Abstraction: Suzanne McClelland Paints with Data, Juliet Helmke, Modern Painters (March 16, 2017)**
third party, Amy Smith-Stewart, published by The Aldrich Contemporary Art Museum, Ridgefield, CT**
2016
Articulate Muscle, with an exhibition brochure essay "Made to Measure" by Claire Barliant, Dieu Donne Lab Grant Exhibition, Dieu Donne, New York, NY*
Art Basel Miami Beach| Art Galleries 2016: Cory Arcangel, Carina Brandes, Gardar Eide Einarsson, Robert Janitz, Ross Knight, Suzanne McClelland, Ryan McGinley, Jo Nigoghossian, David Ratcliff, Sam Samore, Banks Violette, and Stanley Whitney, team (gallery, inc.), Miami Beach, FL
NADA Miami Beach 2016, Shane Campbell Gallery, Miami Beach, FL
NO MAN'S LAND: Women Artists from the Rubell Family Collection, The National Museum of Women in the Arts, Washington, D.C.
Language as Representation: John Baldessari, Nancy Dwyer, Neil Jenny, Barbara Kruger, Suzanne McClelland, Richard Prince & Ed Ruscha, curated by Nicholas Arbatsky, Fisher Landau Center for Art, Long Island City, NY
Expo Chicago: Jemes Crosby, Gardar Eide Einarsson, Suzanne McClelland, Stanley Whitney and Samson Young, team (gallery, inc.) Navy Pier, Chicago, IL
Holdings: Selections from MCASD’s Collection, curated by Anthony Graham, Museum of Contemporary Art San Diego, La Jolla, CA
Art 47 Basel-Art Galleries: Cory Arcangel, Carina Brandes, James Crosby, Gardar Eide Einarsson, Robert Janitz, Ryan McGinley, Suzanne McClelland, Tabor Robak, Stanley Whitney and Samson Young, team (gallery, inc) Basel, Switzerland
Pure Pulp: Contemporary Artists Working in Paper at Dieu Donne, 2000-Present, The Ruth and Elmer Wellin Museum at Hamilton College , Clinton, NY
the birds & the bees; Brock Enright and Suzanne McClelland, curated by Tyler Moore, Meyohas, New York, NY
Champagne Life, Saatchi Gallery, London UK (details here)
Suzanne McClelland: 36x24x36, de Duve, Thierry, published by team (gallery, inc.), New York, distributed Art Book, D.A.P**
Out of Context: Art and Letters Reconsidered, Farrell, Jennifer, The Met (April 8, 2016)**
Suzanne McClelland: Articulate Muscle 1976, Trouillot, Terence, The Brooklyn Rail (April 6, 2016)**
2015
Call With Information, team (gallery, inc.), New York, NY*
No Man's Land, Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami, FL
NADA Miami Beach 2015, Shane Campbell Gallery, Miami Beach, FL
Art Basel Miami Beach: Alex Bag, Cory Arcangel, Gardar Eide Einarsson, Andrew Gbur, Sam McKinniss, Robert Janitz, Ryan McGinley, Suzanne McClelland, Tam Ochiai, Tabor Robak and Stanley Whitney, team, (gallery, inc) Miami Beach, FL
The Raw And The Cooked, curated by Dennis Dawson, Frosch & Portmann Gallery, New York, NY
+1, curated by Wes Sherman, The center for Contemporary Art, Bedminster, NJ
The Now Forever, curated by Michael St. John with Tyler Moore, Carol McCrainie and Javier Magri, Basilica, Hudson, NY
Political violence and abstraction: Suzanne McClelland, Butler, Sharon, Two Coats of Paint (March 14, 2015)**
Suzanne McClelland: Call with Information, 22nd February- 22 March 2015, Loveday, Tom, academia.edu (March 2015)**
2014
Zero Plus Zero, Shane Campbell Gallery, Chicago, IL*
As We Were Saying: Art and Identity in the Age of "Post", curated by Claire Barliant, EFA Project Space, New York, NY
Frieze New York 2014, team (gallery, inc) New York, NY
Frieze New York 2014, Shane Campbell Gallery, New York, NY
Whitney Biennial 2014, Whitney Museum of Art, New York, NY, (Curators: Stuart Comer, Michelle Grabner, and Anthony Elms)
Sensitive Instruments, Corbett vs. Dempsey, Chicago, IL (Curator: Molly Zuckerman-Hartung)
Above and Below the Surface: Eight Artists, John Berggruen Gallery, San Francisco, CA
Paint by Numbers: Suzanne McClelland, Art in America, Princenthal, Nancy, 2014.**
MG’s WB, Grabner, Michelle, Whitney Biennial 2014, Yale University Press, 2014.**
Suzanne McClelland speaks with Garrett Bradley, Whitney Biennial 2014, Yale University Press, 2014.**
2013
Every Inch of My Love, team (gallery, inc.), New York, NY*
Furtive Gesture_CEDE part2, University Art Museum, University at Albany, Albany SUNY, NY*
STrAY: Found Poems From A Lost Time, tThe Fralin Museum of Art, The University of Virginia, Charlottesville, VA (Catalogue essay: Jennifer Farrell)*
Frieze Art Fair New York, Adam Pendleton, Tony Lewis and Suzanne McClelland, Shane Campbell Gallery, New York, NY
NYC 1993 Experimental Jet Set, Trash and No Star, The New Museum of Contemporary Art, New York, NY
Interval Measures, organized by Lucien Terras, 143 Reade Street, New York, NY
Furtive Gesture_CEDEpart2 and A Tisket, A Tasket, Kate Gilmore and Suzanne McClelland, Interview, University Art Museum, University of Albany, SUNY, 2013.**
2012
Dirt Tongue, co-curator with Hanneline Røgeberg, CCA Andratx, Mallorca, Spain
The Master Printer and the Collaborative Process: Collaborations from the Print Studio, IPCNY, New York, NY
Kind of Blue, Larissa Goldston Gallery, New York, NY
Color Walks Away, Galerie Andres Thalmann, Zurich, Switzerland
Loughelton Revisited, Curated by Barbara Broughel, Winkleman Gallery, New York, NY
Makeup on Empty Space, Larissa Goldston Gallery, New York, NY
Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY
Friends Seminary Auction, New York, NY
Bomb’s 31st Anniversary Gala, New York, NY
Art from the Heart, Weatherspoon Art Museum, Greensboro, NC
Exit Art Auction, New York, NY
Conversations From the Print Studio, A Master Printer in Collaboration with Ten Artists, Bochner, Dunham, Gallagher, Hammond, Ofili, Peyton, Ritchie, Smith, Winters, Zammiello, Craig and Elizabeth Hodermarsky, Yale University Press, 2012.**
When Academic Isn’t a Dirty Word, Cohen, David, Art Critical, May 16th, 2012**
2011
left, Sue Scott Gallery, New York, NY*
A Painting Show, Harris Lieberman Gallery, New York, NY (Organized by Laura Raicovich and Jesse Washburne-Harris)
Affinities, D'Amelio Terras Gallery, New York, NY (Curator Kate McNamara)
Influentials, Visual Arts Gallery at School of Visual Arts, New York, NY (Curators Amy Smith Stewart with Carrie Lincourt)
Paper A-Z, Sue Scott Gallery, New York, NY
Jim Schmidt Presents Abstraction, Phillip Stein Gallery, St. Louis, MO
Suzanne McClelland, Schwabsky, Barry, BOMB Magazine, Issue #118, Winter 2011**
Suzanne McClelland, The New Yorker (December 12, 2011)**
fogli/e scritte, a project by AsiloBianco**
The Lookout: A Weekly Guide to Shows You Won't Want to Miss, Art in America online (December 8, 2011)**
“The Influentials, essays by Amy Smith-Stewart and Carrie Lincourt and Interview with Suzanne McClelland**
2010
Scratch, Shane Campbell Gallery, Chicago, IL*
TOY, Galerie Andres Thalmann, Zurich, Switzerland (Catalogue)
Drawing, Michelle Grabner, Joanne Greenbaum, Suzanne McClelland, William J. O’Brian, Alex Olson, Jon Pestoni, Amanda Ross-Ho, Lisa Williamson, Jonas Wood, Shane Campbell Gallery, Chicago, IL
The Pipe and Flow, curated by Omar Lopez-Chahoud, Espacio Minimo, Madrid, Spain
Single Lady, A benefit for Afghan Women Leaders CONNECT, organized by Jenny Salomon, Kate Gilmore and Candice Madey, Brooklyn, NY
Third Thoughts, curated by Barry Schwabsky & Carol Szymanski, CCA Andratx, Mallorca, Spain
Give Me a Minute, The Shirey, Brooklyn, NY
A Reluctant Apparition, Sue Scott Gallery, New York, NY
Drawing Gifts, Drawing Center Benefit, New York, NY
Painting and Sculpture: Foundation for Contemporary Arts Benefit Exhibition, Lehmann Maupin, New York, NY
Summer 2010, Larissa Goldston Gallery, New York, NY
Suzanne McClelland: Andres Thalmann, Zurich, Latimer, Quinn, ARTnews Summer 2010 (July, 2010)**
Art Show, Egan, Maura, Elle Decor, (May 2010)**
2009
Put Me in the Zoo, Sue Scott Gallery, New York, NY*
New Prints, 2009/Spring selected by Polly Apfelbaum, IPCNY, New York, NY
Pink Panther, curated by Amy Smith-Stewart, KUMUKUMU, New York, NY
Affinities: Painting in Abstraction, curated by Kate McNamara, RISD Museum, Providence, RI
SPECIALS on the High Line, curated by Lisa Sigal and Paul Ramirez Jonas, Highline, New York, NY
Landscape Revisited, cureated by Dodie Kazanjian, Park Avenue Armory, New York, NY
Robert Rauschenberg and His Contemporaries: Recent Prints from ULAE, Huntington, NY
What's Neu?: Recent Additions to the Neuberger Collection, Neuberger Museum of Art, Purchase College, Purchase, NY
Lover, curated by Kate Gilmore and Candice Madey, On Stellar Rays, New York, NY
Talk Dirty To Me..., Larissa Goldston Gallery, New York, NY
Dreaming of Landscape, Dodie Kazanjian & Annie Leibovitz, Vogue Magazine (November 2009)**
Suzanne McClelland: Put Me in the Zoo, T.J. Carlin, T.J, Time Out New York (April 19, 2009)**
Prints That Say Bold and Eclectic, Benjamin Genocchio, The New York Times (March 8, 2009)**
House of Games, Kimberly Straub, Vogue.com (March 2009)**
2008
Legerdemain, Sue Scott Gallery, New York, NY
Stable Scrawl, Larissa Goldston Gallery, New York, NY
Grey, Dinter Fine Arts, New York, NY
Ithaca Collects, Johnson Museum of Art, Cornell University, Ithaca, NY
More Than Words, Von Lintel Gallery, New York, NY
Affinities: Painting in Abstraction, Ramapo College of New Jersey, Mahwah, NJ (Curated by Kate McNamara)
Under the Influence, curated by Francis Bishop Good, Jane Hart and Michelle Weinberg, Art and Cultural Center of Hollywood, Fort Lauderdale, FL
Suzanne McClelland: Rock and Shift, Carol Kino, Barry Schwabsky, Sue Scott, Hard Press Editions with One Eye Pug**
Whitney Museum of American Art at Altria, Momin Shamim M. and Adam Weinberg, Yale University Press**
Slip, Larissa Goldston Gallery**
2007
STrAY, David Krut Projects New York, NY (Catalogue)*
Drawing, Thinking, curated by Marco Breuer, Von Lintel Gallery, New York, NY
In the Viewing Room, curated by Lisa Sigal, Frederieke Taylor Gallery, New York, NY
Horizon, curated by David Humphrey, Elizabeth Foundation for the Arts, New York, NY
Affinities: Painting in Abstraction, curated by Kate McNamara, CCS Bard College, Annandale-on Hudson, NY
Sex in the City, curated by Dean Daderko and Marina Adams, Dumbo Arts Center, Brooklyn, NY
Post Dec-Beyond Pattern and Decoration, curated by Zina Davis Joseloff Gallery, University of Hartford, West Hartford, CT
What F Word?, curated by Carol Cole Levin, Cynthia Broan Gallery, New York, NY
Katherine Bowling and Suzanne McClelland: Unique Works on Paper, One Eye Pug, New York, NY
Mixed Signals, curated by Martina Batan, Ronald Feldman Fine Arts, New York, NY
ULAE-Celebrating Fifty Years with New Editions, Larissa Goldston Gallery, New York, NY
Group Show, Nina Freudenheim Gallery, Buffalo, NY
In Words: The Art of Language, curated by Lance Winn, University Museums, University of Delaware, Newark, DE
Hot Off the Press, curated Janice Oresmanm, The Grolier Club, New York, NY
After the Revolution: Women Who, Eleanor Heartney, Helaine Posner, Nancy Princenthal, & Sue Scott,**
Transformed Contemporary Art, Prestel Publishing**
Suzanne McClelland at David Krut, Nancy Princenthal, Art in America (November, 2007)**
2006
Works on Paper Benefit, Kentler International Drawing Space, Brooklyn, NY
Women in the Bedroom, Larissa Goldston Gallery, New York, NY
2005
SLIP, Larissa Goldston Gallery, New York, NY (Catalogue)*
Team Play Her, Shane Campbell Gallery, Chicago, IL*
Counting the Ways: Word as Image, Fisher Landau Center for Art, Long Island City, NY
I'm a Child of Divorce Give Me A Break, Cynthia Broan Gallery, New York, NY
In Deep Water, Dinter Fine Art, New York, NY
Artists Pick, Larissa Goldston Gallery, New York, NY
Suzanne McClelland at Larissa Goldston, Stephen Maine, Art in America (October, 2005)**
Art in Review: I'm a Child of Divorce Give Me a Break, Ken Johnson, The New York Times (September 30, 2005)**
2004
Face Off, Ronald Feldman Fine Arts, New York, NY
Co-Conspirators: Artist and Collector, Orlando Museum of Art, Orlando FL and The Chelsea Museum of Art, New York, NY
Word of Mouth, Dinter Fine Art, New York, NY
Independent and International: Highlights of Cottrell-Lovett Collection, Raphael Rubenstein, exhibition catalogue essay, Orlando Museum of Art**
Co-Conspirators, The Making of a Collection, Sue Scott, exhibition catalogue essay, Orlando Museum of Art**
Suzanne McClelland at KS Arts, Stephen Westfall, Art in America (April, 2004)**
2003
Suzanne McClelland: Drawings and Prints, KS Art, New York, NY*
Take Out, Dieu Donne Papermill, New York, NY
Ballpoint Inklings, KS Art, New York, NY
New Prints 2003/Winter, International Print Center New York, New York, NY
ULAE Prints, Robin Rule Gallery, Denver, CO
Tamarind: 40 Years, a traveling exhibition in conjunction with the Tamarind Institute, Albuquerque, NM; Toledo Museum of Art, Toledo, OH; Muskegon Museum of Art, Muskegon, MI; Center for Visual Arts, Denver,CO; University of Richmond Museum, Richmond, VA; William D. Cannon Art Gallery, Carlsbad, CA; Kennesaw State University Art Gallery, Kennesaw, GA
Signs, Symbols & Codes, Elga Wimmer Gallery, New York, NY
Group Show, Diane Villani Editions, New York, NY
WORD/IMAGE, Westport Arts Center, Westport, CT
Best of 2003, Chrissie Iles, Artforum (December, 2003)**
2002
Group show, Barbara Krakow Gallery, Boston, MA
TOYLAND, Alysia Duckler Gallery, Portland, OR
Tricky Adios: Hello to Handmade Words, curated by David Humphrey, KS Art, New York, NY
"Suzanne McClelland," Vitamin P: New Perspectives in Painting, Meghan, Dailey, Phaidon Press**
“Painting in the Interrogative Mode," Vitamin P: New Perspectives in Painting, Barry Schwabsky, Phaidon Press**
2001
Enough Enough, Orlando Museum of Art, Orlando, FL*
A Way With Words, Whitney Museum of American Art at Phillip Morris, New York, NY
First There Was a Drawing, curated by Gerry Snyder and Michael St John, The College of Santa Fe Fine Arts Gallery, Santa Fe, NM
Digital Printmaking Now, curated by Marilyn S. Kushner, Brooklyn Museum of Art, Brooklyn, NY
Suzanne McClelland at Paul Kasmin, Catyhy Lebowitz, Art in America (April, 2001)**
Mr. Man, Working Proof, Suzanne McClelland, Art on Paper (July/August, 2001)**
Talking Points: Conversation in the Art of Sophie Calle, Joseph Grigely and Suzanne McClelland, Nancy Princenthal, Art on Paper (May/June, 2000)**
Suzanne McClelland at Paul Kasmin, Schwabsky, Barry, Artforum (January, 2001)**
Suzanne McClelland: Enough Enough, Sue Scott, exhibition catalogue essay, Orlando Museum of Art**
Review, John Zinsser, Artnet.com (January, 2001)**
2000
Out of Character, Paul Kasmin Gallery, New York, NY*
Plot, Galerie Lutz and Thalmann, Zurich, Switzerland (Catalogue essay: Sean Elwood)*
Intersections and Interruptions, Locks Gallery, Philadelphia, PA (Catalogue essay: Carter Ratcliff)*
Blurry Lines, curated by Andrea Inselmann, John Michael Kohler Arts Center, Sheboygan, WI
Collectors Choice, curated by Sue Scott, Orlando Museum of Art, Orlando, FL
Unlimited Space, curated by Catherine Perret, Les Fille du Calvaire, Paris, France
Unique Photographs, Paul Kasmin Gallery, New York, NY
Painting, Paul Kasmin Gallery, New York, NY
Drawings and Photographs, Matthew Marks Gallery, New York, NY
Unique Photographs, Vince Aletti, Vince, The Village Voice (August 1, 2000)**
Exhibition Preview, Jennifer Dalotn, Art & Auction (October, 2000)**
Plot, Sean Elwood, exhibition catalog, Galerie Lutz + Thalmann**
Wortgemalde, Von Martin Kraft Zuritipp (August 31, 2000)**
Working Proof, Suzanne McClelland, Art on Paper (March/April 2000)**
Working Proof, Suzanne McClelland, Art on Paper (December, 2000)**
Summer 2000: Unique Photographs, Sarah Valdez, Time Out New York, No. 254 (August 3-10, 2000)**
1999
Correspondence, Lemberg Gallery, Birmingham, MI*
Elsewhere, Baldwin Gallery, Aspen, CO*
Painting Language, LA Louver, Venice, CA
Gesture and Contemporary Painting, The University of Michigan School of Art Gallery, Ann Arbor, MI
Drawn from Artist Collections, curated by Ann Philbin and Jack Shear, The Drawing Center, New York, NY
Abstract Painting 1999, Paul Kasmin Gallery, New York, NY
Powder, Curated by Julie Graham and Maria Friedrich, Aspen Art Museum, Aspen, CO
Immediacies of the Hand: Recent Abstract Painting in New York, curated by Carter Ratcliff and Kim Sobel Hunter College, New York, NY
Drawing into Paint, curated by Geoffrey Young, Fosdick Nelson Gallery, Alfred University, Alfred, NY
Immediacies of the Hand: Recent Abstract Painting in New York, Holland Cotter, Holland, The New York Times (April 8, 1999)**
Reviews, Deborah Everett, New York Art Magazine, Vol. 4 No. 3**
Powder: An Introduction, Maria Friedrich and Julie Graham, exhibition catalogue essay, Aspen Art Museum**
Working Proof: Just Relax, Faye Hirsch, set of 8 photogravures Art on Paper (February, 1999)**
The Power of Powder, Stewart Osksenhorn, Aspen Times Weekly (March, 1999)**
The Gallery: The Artist as Curator, Francine Prose, The Wall Street Journal (May 20, 1999)**
At the Galleries, Karen Wilkin, Partisan Review (Winter, 1999)**
1998
Mothertongues, Paul Kasmin Gallery, New York, NY*
Artist's on Line for ACOR, Gagosian Gallery, New York, NY
Group Show, Paul Kasmin Gallery, New York, NY
Group Show, Galerie Lawrence Rubin, Milan, Italy
After School, Visual Arts Museum at The School of Visual Arts, New York, NY
Spring for Art, Art for Spring, Weatherspoon Art Gallery, Greensboro, NC
Proof Positive: 40 Years of Contemporary American Printmaking at ULAE: 1957-1997, The Armand Hammer Museum of Art at UCLA, Los Angeles, CA and Senzon Museum of Art, Tokyo, Japan
Masters of the Masters: MFA Faculty of the School of Visual Arts New York 1983-1998, curated by David Shirey, Butler Institute of American Art, Youngstown, OH
Painting Language, LA Louver, Venice, CA
Exhibition Review, J. Bowyer Bell, Review, (December 1, 1998)**
Collection Portrays the Art of America, The Vindicator (April 9, 1998)**
Art in Review: Suzanne McClelland at Paul Kasmin, Ken Johnson, The New York Times (December 11, 1998)**
Suzanne McClelland, mothertongues at Paul Kasmin Gallery, Robert Mahoney, Time Out New York (December 10-17, 1998)**
Review, The New Yorker (December 7&14, 1998)**
Show Disproves Adage: Those Who Can't ..., Dorothy Shinn, The Beacon Journal (April 12, 1998)**
Abstract Views, David Shirley, Los Angeles Times (August 28, 1998)**
Masters of the Masters, MFA Faculty of the School of Visual Arts, New York, 1983-1998 David Shirley, exhibition catalogue essay (April 5-May 17, 1998)**
Exhibits Offer Bend of New with Traditional, Clyde Singer, The Vindicator (April 5, 1998)**
Suzanne McClelland at LA Louver, Los Angeles Times (August 28, 1998)**
1997
Suzanne McClelland, Weatherspoon Art Gallery, The University of North Carolina at Greensboro, Greensboro, NC (Catalogue interview with Amy Cappellazzo)*
Tealeaves, LA Louver, Venice, CA*
Suzanne McClelland, catalogue essay: Gabriele Lutz, Galerie Lawrence Rubin, Zurich, Switzerland*
Suzanne McClelland, catalogue essay Raphael Rubinstein, Galerie Kyoko Chirathivat, Bangkok, Thailand*
Moving Toward the Millennium, Schmidt Contemporary Art, St. Louis, MO
Heart, Mind, Body, Soul: American Art in the 1990's: Selections from the Permanent Collection, Whitney Museum of Art, New York, NY
Suzanne McClelland, Elizabeth McGrath and Daniel Wiener, Eugene Binder Gallery, Long Island City, NY
Essential Gestures and Fundamental Signs, Gallery of Art, Johnston Community College, Overland Park, KS
Artists Respond to 2001: A Space Odyssey, Williamsburg Art and Historical Society, Brooklyn, NY (Curated by Bruce Pearson)
After the Fall: Aspects of Abstract Painting Since the 1970's, curated by Lilly Wei, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY
Jacqueline Humphries, Suzanne McClelland, Beatriz Milhazes, Betsy Senior Gallery, New York, NY
Irredeemable Skeletons, Carmel Buckley and Peter Lloyd Lewis, curated by Mark Harris, Shillam and Smith Gallery, London, England
Proof Positive: 40 Years of Contemporary American Printmaking at ULAE: 1957-1997, The Corcoran Gallery of Art, Washington, DC and University of Colorado, Colorado Springs, CO
Sex/Industry, Curated by John Yau, Stefan Stux Gallery, New York, NY
New Grounds: Prints and Multiples, The University of South Florida Contemporary Museum of Art, Tampa, FL
Sculpture and Works on Paper Based on the Word 'Cube': Carol Szymanski and Suzanne McClelland, Schmidt Contemporary Art, St. Louis, MO
Color Detour, curated by Faye Hirsch. Apex Art, New York, NY
Interview with Suzanne McClelland, Mary Bianchi, A Journal of Art, Cornell University (May, 1997)**
Words=space+color, Thomas Brecelic, Thailand Times (March 15. 1997)**
Interview with Suzanne McClelland, Amy Capalazzo, and Doug Drieshpoon, Weatherspoon Art Gallery exhibition catalogue, Weatherspoon Art Gallery**
New Art on Display at College, Jim Fisher, The Campus Ledger, Johnson County Community College (December 4, 1997)**
Suzanne McClelland: New Paintings and Drawings, Gabriele Lutz, exhibition catalogue essay, Galerie Lawrence Rubin**
New Works, Esquire Thailand, Vol. 3, No. 5 (May, 1997)**
Essential Gestures and Fundamental Signs, Saul Ostrow, exhibition catalogue essay, Johnson County Community College**
Found In The Translation, David Pagel, The Los Angeles Times (July, 1997)**
Abstracting the Feeling of Language, Steven Pettifor, The Nation (March 17, 1997)**
Language in Art, Penchan Phoborisut, The Bangkok Post (March 23-29, 1997)**
Visualizing Speech, Joyce Rainat, The Bangkok Post (March 5, 1997)**
Suzanne McClelland: The Spell(ing) of Painting, Raphael Rubinstein, exhibition catalogue essay, Galerie Kyoko Chirathivat**
New Realities of Abstraction, Alice Thorson, The Kansas City Star (November 3. 1997)**
Time Suite, Art on Paper, Vol. 1, No. 5 (May-June, 1997), p40-41**
1996
Babel, catalogue essay: Barry Schwabsky, Paul Kasmin Gallery, New York, NY*
Unconditionally Abstract, Schmidt Contemporary Art, St. Louis, MO
96 Seoul International Art Fair, Seoul, Korea
Group Exhibition, Elizabeth Fiore Fine Arts, New York, NY
What I Did on My Summer Vacation, White Columns, New York, NY
Uneasy Surface - Points of Turbulence in Contemporary Art, crated by Judith Tolnick, Fine Art Galleries, University of Rhode Island, Kingston, RI
Women's Work, curated by John Saachi, Greene Naftali Gallery, New York NY
The Baseball Show, Curt Marcus Gallery, New York, NY
On Paper II, Schmidt Contemporary Art, St. Louis, MO
Suzanne McClelland, Bell, J. Bowyer, Review (May, 1996)**
Suzanne McClelland, Tim Griffin, Time Out New York (May 8-15, 1996)**
Suzanne McClelland at Paul Kasmin, Robert Mahoney, Artnet.com (May, 1996)**
Carnal Meteorology, Barry Schwabsky, exhibition catalogue essay, Paul Kasmin Gallery**
Art in Review: Suzanne McClelland at Paul Kasmin Gallery, Roberta Smith, The New York Times (April 6, 1996)**
Art View: The Gallery Doors Open to the Long Denied, Roberta Smith, The New York Times (May 26, 1996)**
1995
Suzanne McClelland, Lemberg Gallery, Birmingham, MI*
Suzanne McClelland, Texas Gallery, Houston, TX*
Suzanne McClelland, Barbara Krakow Gallery, Boston, MA*
Group Show, curated by Craig Fisher, E.S. Vandam, New York, NY
Woodwork, Champion Corporation Gallery, CT
Summer 1995, Paul Kasmin Gallery, New York, NY
Kunstkabinett, curated by Sean Elwood, Center of Contemporary Art, Seattle, WA
Human/Nature, The New Museum of Contemporary Art, New York, NY
Austin Ackles, Luca Buvoli, Mary Jones, Suzanne McClelland, Paul Kasmin Gallery, New York, NY
Material Abuse, curated by Mark Harris, Trans Hudson Gallery, Jersey City, NJ
Expatriate Dreams, Brooks Adams, Art in America (February, 1995)**
The Art of the Matter: Curating the Whitney Biennial, an interview with Klaus Kertess, Jack Bankowsky, Artforum (January, 1995)**
An Interview with Visiting Artist Suzanne McClelland, Shane Campbell, News Magazine, School of the Art Institute of Chicago (April, 1995)**
Material Abuse, Mark Harris, exhibition catalogue essay, Trans Hudson Gallery**
Jill Baroff, Lauren Szold and Ida Applebroog, Suzanne McClelland, Bomb Magazine (Spring, 1995)**
Exhibition Review at Barbara Krakow Gallery, Unger Miles, Art New England (April/May, 1995)**
Suzanne McClelland: Paul Kasmin Gallery, Terry R. Myers, The New Art Examiner (March, 1995)**
Unsettling Social Commentary with Materials as 'Victims', Vivien Raynor, The New York Times (March 19, 1995)**
Review: Family Photo, The Print Collector's Newsletter (Jan/Feb, 1995)**
Artist's Eye Eternal Cycles, Nancy Stapen, The Boston Globe (January 26, 1995)**
At The Galleries, Karen Wilkin, Partisan Review (Spring, 1995)**
1994
Suzanne McClelland, Paul Kasmin Gallery, New York, NY*
Suzanne McClelland, catalogue essay: Faye Hirsch, LA Louver, Venice, CA*
Le Temps D'un Dessin, L'ecole des Beaux-arts, L'Orient, France
Stealth, Seafirst Gallery, Seattle, WA
Practicamente Argento/Basically Silver, Studio la Citta, Verona, Italy
Astratta: A Cura di Simona Lodi, Roberta Lette Arte Contemporanea, Volta, Italy
New York New York, Studio D'Arte Barnabo, Venice, Italy
Abstraction: A Tradition of Collecting in Miami, curated by Louis Grauchos and Kate Rawlinson, Center Fine Arts, Miami, FL
Master Prints From the Collection, The Paul J. Sachs and Tatyana Grosman Galleries, MoMA, New York, NY
Points of Interest, Points of Departure, John Berggruen Gallery, San Francisco, CA
Heterogeneity-Abstraction and Virtual Space, curated by Leonard Bullock, Out of the Blue, Edinburgh, Scotland
Painting Language, LA Louver, Venice, CA
Re: Visioning the Familiar, curated by Klaus Ottman, Ezra and Cecile Zilkha Gallery Center for the Arts, Wesleyan University, Middleton, CT
New Art Finds Buyers Ready, Anastasia Aukeman, Art Newsletter, (November 15, 1994)**
Sense and Sensibility: Artists Translate Sensations into Form, Angela Choon, Art & Antiques (February, 1994)**
Art in Review: Suzanne McClelland, Holland Cotter, The New York Times (October 31, 1994)**
"Suzanne McClelland," in Re: Visioning The Familiar, David Drogin and Lee Berresford, Ezra and Cecile Zilkha Gallery Center for the Arts, Wesleyan University**
Art Picks of the Week: Suzanne McClelland, John Newman, Peter Frank, LA Weekly (June 3, 1994)**
Suzanne McClelland: New Paintings, Faye Hirsch, exhibition catalogue essay, LA Louver**
Suzanne McClelland, Anthony Iannacci, Titolo (Winter, 1993/94)**
Abstraction in a Changing Environment, (interviews with Suzanne McClelland, Raphael Rubinstein, Richmond**
Art in America, Lydia Dona BurtoN & Fabian Marcaccio), (October. 1994)**
Suzanne McClelland, Yoichi Kawakita, Men's Club Japan (May, 1994)**
Finding Meaning in the Muffled Mess, David Pagel, Los Angeles Times (May 19, 1994)**
Painting Made in New York, Jens Ronnau, Fleasbangs Nachricsten (March 2. 1994)**
1993
Suzanne McClelland, 303 Gallery, New York, NY*
Suzanne McClelland, Jason Rubell Gallery, Miami, FL*
Works on Paper, Jack Hanley Gallery, San Francisco, CA
ULAE: Forthcoming Publications and Recent Editions, Brooke Alexander Gallery, New York, NY
Universal Limited Art Editions, Bobbie Greenfield Gallery, Venice, CA
Paintings, Paula Cooper Gallery, New York, NY
Toolbox, Studio la Citta, Verona, Italy
Suzanne McClelland and Gail Fitzgerald, Schmidt Contemporary Art, St Louis, MO
Summer Reading, Texas Gallery, Houston, TX
Drawing the Line against AIDS, Guggenheim Museum, Venice, Italy
Foundation for Contemporary Performance Arts Benefit Exhibition, Leo Castelli Gallery, New York, NY
Extravagant, curated by Jonathan Seliger, Russisches Kulturzentrum in conjunction with Sylvia Menzel Gallery, Berlin, Germany
Irony and Ecstasy, curated by Klaus Ottmann, Salama-Caro Gallery, London, England
Single Frame: Ideal Moments of (Ir)rational Totality, John Good Gallery, New York, NY
Biennial Exhibition, The Whitney Museum of American Art, New York, NY
Works on Paper, Jack Hanley Gallery, San Francisco, CA
I am the Enunciator, curated by Christian Leigh Thread Waxing Space, New York, NY
Toolbox, Maurizio Bortolotti, Tema Celeste: Arte Contemporanea (Summer, 1993)**
Drawing, Bomb Magazine (Summer, 1993), pp.78-79**
For The Record: An Interview with Suzanne McClelland, Faye Hirsch, Print Collectors Newsletter (September/October, 1993)**
Word Turf, Faye Hirsch, Lingo, No. 2**
Review: Toolbox, Anthony Ianacci, Titolo (Spring, 1993)**
Speciale Artisti in Mostra, Toolbox, Anthony Ianacci, "" Segno: Attualitˆ Internazionali D'arte Contemporanea (May, 1993)**
Right, Suzanne McClelland, Jason Rubell Gallery, Palm Beach, FL**
Con il bisturi sulle tele: Quasi un' Autopsia per Indagare Sulke Morte Dell'ane Toolbox, Luigi Meneghelli, L'arena (March 22, 1993)**
Developing Language, Klaus Ottman, exhibition essay, Salma-Caro Gallery**
No Man's Land: Art At The Threshold of a Millennium, Lisa Phillips, Biennial Exhibition Catalogue, Whitney Museum of American Art**
New Yorkers: Free Spirited by Design: End Justifies the Means for McClelland Carol Ferring Shepling,**
Fitzgerald, St. Louis Dispatch (November 18, 1993)**
1992
Suzanne McClelland-Painting, Brochure essay: Thelma Golden, Whitney Museum of American Art at Phillip Morris, New York, NY*
Suzanne McClelland, catalogue essay: Jerry Saltz, interview Jennifer Rubell, Jason Rubell Gallery, Palm Beach, FL*
Developing Language, curated by Klaus Kertess, Hirschl and Adler Modern, New York, NY
Group Show, Theuretzbacher Gallery, Vienna, Austria
Painting, Jack Hanley Gallery, San Francisco, CA
Letter 'S' Road, Curated by Barry Schwabsky, Art Omi, Omi, New York, NY
Off Balance, Jason Rubell Gallery, Palm Beach, FL
Drawings, Stuart Regan Gallery, Los Angeles, CA
Contextures & Constructures, curated by Jonathan Seliger) Rubinstein/Diacono Gallery, New York, NY
Encounters with Diversity, curated by Zdenka Gabolva) P.S.1 Contemporary Art Center, Long Island City, NY
How It Is, curated by Jonathan Seliger, Tony Shafrazi Gallery, New York, NY
The Changing Tide, Dan Cameron, Art &Auction (January, 1991)**
Female Heroism: One Portrayal, Four Portraits, Cheryl Donegan, Tema Celeste (November/December, 1992)**
Written on the Wind, Hirsch Faye, Tema Celeste (April/May, 1992)**
Painting: Suzanne McClelland, Thelma Golden, exhibition catalogue essay, Whitney Museum of American Art at Philip Morris**
Toolbox, Anthony Ianacci, Segno (May/June, 1992)**
Abstract Expressions, Dodie Kazanjian, Vogue (June, 1992)**
Developing Language, Klaus Kertess, exhibition essay for Hirschl & Adler Modern**
Three Artists for the 90's, Klaus Kertess, Elle Decor (August/September, 1992)**
Against the Grain, Klaus Ottman, exhibition essay, Galerie Theuretzbacher**
Ow, he, he ah, ha, Caterina Pazzi, Giomali Delle Arte (June, 1992)**
Interview: Suzanne McClelland, Jennifer Rubell, exhibition catalogue, Jason Rubell Gallery**
Let It Rain: Suzanne McClelland's Doors of Perception, Jerry Saltz, exhibition catalogue essay, Jason Rubell Gallery**
Contextures and Constructures, Seliger, Jonathan, exhibition essay, Rubenstein/Diacomo Gallery**
Suzanne McClelland, Jeanne Siegel, Tema Celeste (April/May, 1992)**
New Palm Beach Galleries Present Intriguing Summer Show, Jan Sjostram, Palm Beach Daily News (July 22, 1992)**
Art in Review: Suzanne McClelland at The Whitney Museum of American Art at Philip Morris, Roberta Smith, The New York Times (December 18, 1992)**
Suzanne McClelland, Millie Wolff, Palm Beach Today (February 1, 1991)**
Suzanne McClelland, John Yau, Artforum (February, 1992)**
1991
Suzanne McClelland, Stephanie Theodore Gallery, New York, NY (Catalogue essay: Faye Hirsch)*
Comments on 'Nomos, Penine Hart Gallery, New York, NY (Curated by Robert Mahoney)
New York Diary: Almost 25 Different Things, P.S.1 Contemporary Art Center, Long Island City, NY (Curated by Zdenka Gabolova and Ryszard Wasko)
Breathing Room, Amy Lipton Gallery, New York, NY
Nayland Blake, Suzanne McClelland, Teddy Shapiro, Ilyse Soutine, Chris Wilder, curated by Clarissa Dalrymple, Petersburg Gallery, New York, NY
1990
To Know a Hawk From a Handsaw, Wolf Gallery, NY
Action For Auction, Act Up, New York, NY
Suzanne McClelland, Faye Hirsch, exhibition catalogue essay, Stephanie Theodore Gallery**
Paintings and It's Others in the Realm of the Feminine, Shirley Kaneda, Arts Magazine (Summer, 1990)**
Foreign Intrigue, Kay Larson, New York Magazine (May 20, 1990)**
Comments on Nomos, Robert Mahoney, exhibition catalogue essay, Penine Hart Gallery**
Cries and Whispers, Jerry Saltz, Arts Magazine (Summer, 1990)**
Suzanne McClelland, Barry, Schwabsky, Arts Magazine (December, 1990)**
Art in Review: Suzanne McClelland, Roberta Smith, The New York Times (October 18, 1990)**
Flee Advice, John Yau, Collectif Génération**
1989
Line, curated by Loren Madsen, Visual Arts Gallery, New York, NY
Homeland, Minor Injury, Brooklyn, NY (Curated by Yong Soon Min and Shirin Neshat)
1985
Homeless at Home, Storefront for Art And Architecture, New York, NY
1984
1984 A Preview, Ronald Feldman Fine Arts, New York, NY
EDUCATION
1989 MFA, School of Visual Arts, New York, NY
1981 BFA, University of Michigan, Ann Arbor, MI
TEACHING AND PROFESSIONAL ACTIVITIES
present - 2016 Adjunct Assistant Professor/Mentor, Columbia University School of the Arts, MFA Visual Arts Program, New York, NY
present - 1999 Board of Governors, Skowhegan School of Painting and Sculpture, Skowhegan, ME
present - 1997 Faculty, School of Visual Arts, MFA Program, Department of Fine Arts, New York, NY
present - 2015 Part-Time Rotating Faculty/Artist-in-Residence, Mt. Royal School of Art (MFA) at Maryland Institute College of Art, Baltimore, MD
2018
Yale University School of Art, Painting and Printmaking, Critic, New Haven, CT
Lecture/Visiting Artist, Tyler School of Art, Philadelphia, PA (April 4)
Brooklyn Commons: Suzanne McClelland and Sonia Louise Davis, ISCP (International Studio & Curatorial Program) Brooklyn, NY (April 3)
Space Sisters Press - Launch and Conversation with Suzanne McClelland, Amy Smith-Stewart, and Gretchen Kraus, Printed Matter, Inc., New York, NY (March 1)
2017
Visiting Critic, Yale University School of Art, Department of Painting and Printmaking, New Haven, CT
World War I and Contemporary Art: A conversation with artists Sue Coe, Suzanne McClelland, and James Siena, Moderated by Robert Storr. The Metropolitan Museum of Art, New York, NY (December 10)
Kossak Painting Program: Group Critique with Kossak Painting Fellows, hosted by Drew Beattie, Hunter College MFA in Studio Art at 205 Hudson Street, New York, NY
(October 24)
Homage: Contemporary Artists in Conversation, Roundtable Discussion with Suzanne McClelland with artists Michael St. John and Erica Baum, moderated by writer and editor Faye Hirsch, The Aldrich Contemporary Art Museum, Ridgefield, CT (May 12)
Salon 2: Kristin Oppenheim / Suzanne McClelland, Kerri Scharlin Salon, New York, NY (February 17)
Betsy Kaufman & Suzanne McClelland In Conversation, LESLIE TONKONOW Artworks + Projects, New York, NY (February 4)
Panel Discussion: Elizabeth Murray: a life and legacy
Moderated by Linda Yablonsky, with panelists Yevgeniya Baras, Deborah Kass, Suzanne McClelland, Kianja Strobert and Pat Steir, CANADA Gallery, New York, NY
(January 14)
2016
Part-Time Faculty/Artist-in-Residence, Mt. Royal School of Art (MFA) at Maryland Institute College of Art, Baltimore, MD
Artists in Conversation: "NO MAN'S LAND" with Mira Dancy and Suzanne McClelland, The National Museum of Women in the Arts, Washington, D.C. (December 13)
"Suzanne McClelland and Thierry de Duve In Conversation: When Is Art Political", book launch and talk, Skowhegan School of Painting and Sculpture New York Program Space, New York, NY (September 14)
2015
Part-Time Faculty/Artist-in-Residence, Mt. Royal School of Art at Maryland Institute College of Art, Baltimore, MD
Visiting Lecture, New York Studio School, New York, NY (October 20)
Master Artist in Residence #156, Atlanta Center for the Arts, New Smyrna Beach, FL, (February 23- March 22)
Visiting Artist-in-Residence Lecture/Atlantic Center for the Arts, Cornell Fine Arts Museum, Rollins College, Winter Park, FL, (March 3)
Visiting Artist/Lecture, Purchase College SUNY, MFA Program, Purchase, NY (January 21)
2014
Visiting Artist/Lecture, Rutgers Mason Gross School of the Arts, New Brunswick, NJ
Sensitive Instruments Panel, CAA, Moderator: Molly Zuckerman-Hartung, with Cora Cohen, Dana DeGiulio, Abigail DeVille, Susanne Doremus, Michelle Grabner, Deirdre O’Dwyer, Jennifer Packer, and Monique Prieto, Chicago, IL
Faculty Lecture, School of Visual Arts, MFA Program, New York, NY, (February 5)
2012
Gallery Talk with Craig Zammiello, Department of Prints, Drawings, and Photographs, Yale University Art Gallery, New Haven, CT
Visiting Artist and workshop with Craig Zammiello, Yale University School of Art, Department of Printmaking, New Haven, CT
2011
“The Influential’s,” Round Table Discussion, SVA Theater wiLindsay Pollock, Judy Pfaff, Marilyn Minter, and Mika Rottenberg, New York, NY
Visiting Artist/Lecture, Vermont Studio Center, Johnston, VT
Gallery Talk with SUNY Purchase MFA Program, Sue Scott Gallery, New York, NY
Gallery Talk with Kent State University MFA Program, Sue Scott Gallery, New York, NY
Gallery Talk with School of Visual Arts MFA Program, Sue Scott Gallery, New York, NY
Gallery Talk with Rutgers University MFA Program, Sue Scott Gallery, New York, NY
Gallery Talk with Skowhegan School of Painting and Sculpture Alumni, Sue Scott Gallery, New York, NY
College Art Association 99th Annual Conference; “Abstract Painting at 100.” Moderated by Faye Hirschwith Carrie Moyer, Linda Besemer, Jessica Dickinson, Louise Fishman, Shirley Kaneda, Suzanne McClelland, and Wendy White, New York, NY, (February 9-12)
2010
Visiting Artist, Vermont Studio Center, Johnson, VT
2009
Visiting Artist/Lecture, University of Buffalo, Department of Visual Studies, Buffalo, NY
Visiting Artist/Lecture, RISD, Painting Department, Providence, RI
2008
Visiting Professor, Virginia Commonwealth University, Richmond, VA
Visiting Lecture, Virginia Commonwealth University, Richmond, VA
Visiting Lecture, University of Richmond, Richmond, VA
Visiting Artist, Anderson Ranch, Snowmass Village, CO
2007
Visiting Lecture, Rutgers University Mason Gross School of the Arts,
New Brunswick, NJ
Visiting Associate Professor (to 2011), Pratt Institute, MFA Program, Department of Fine Arts, Brooklyn, NY
2006
Visiting Professor, Rutgers University Mason Gross School of the Arts,
MFA Program in Visual Arts, New Brunswick, NJ
2005
Panel Participant with Joan Snyder and Susie Rei, moderated by Helaine Posner, Jewish Museum, New York, NY
2004
Visiting Lecture, University of Wisconsin, Madison Print Club, Madison, WI
Adjunct Instructor (to 2005), The Cooper Union, School of Art, New York, NY
2002
Visiting Artist, Anderson Ranch Arts Center, Aspen, CO
Distinguished Visiting Artist/Lecture, University of Michigan School of Art and Design, Penny W. Stamps, Ann Arbor, MI
Visiting Lecture, Tyler School of Art, Temple University, Philadelphia, PA
2000
Visiting Artist-Painting, Bard MFA, Milton Avery Graduate School of the Arts, Annandale-on-Hudson, NY
Visiting Artist/Lecture, Provincetown Fine Arts Work Center, Provincetown, MA
1999
Senior Critic, Yale University School of Art, Department of Painting and Drawing, New Haven, CT
Visiting Artist/Lecture, Pratt Institute, Brooklyn, NY
Visiting Artist/Lecture, Ohio University, Athens, OH
Visiting Artist/Lecture, Provincetown Fine Arts Work Center, Provincetown, MA
1998
Visiting Artist/Lecture, Washington University School of Arts, St. Louis, MO
1997
Visiting Lecture, Parsons School of Design, Graduate Painting Department, New York, NY
Gallery Talk with Falk visiting artist, University of North Carolina at Greensboro, Weatherspoon Art Gallery, Greensboro, NC
Visiting Lecture, Hunter College, MFA Program, New York, NY
Visiting Artist/Lecture, Cornell University College of Architecture, Art and Planning, Department of Art, Ithaca, NY
Visiting Lecture, Independent Curators Incorporated, New York Studio Event, New York, NY
1996
Visiting Lecture, Whitney Museum of American Art, Education Department, New York, NY
Visiting Artist/Lecture, Parsons School of Design Graduate Painting Department, New York, NY
Visiting Artist/Lecture, University of Texas school of Visual Arts, Denton, TX
Visiting Artist/Lecture, School of the Museum of Fine Arts, Boston, MA
1995
Visiting Artist/Lecture, University of Houston, Houston, TX
Visiting Artist/Lecture, Cranbrook Institute of the Art, Birmingham, MI
Visiting Artist/Lecture, California State University Summer Arts at
Humboldt State University, "Painting and Beyond," Arcata, CA
Visiting Artist/Lecture, Kent State University, School of Art, Kent, OH
Visiting Artist/Lecture, School of the Art Institute of Chicago, Undergraduate, Graduate programs, Chicago, IL
Visiting Lecture, Syracuse University, School of Art and Design,
“The Fourth Annual Matrilineage Symposium: Women, Art and Change-The Committee on Women and Art”, Syracuse, NY
Visiting Artist/Lecture, Tyler School of Art, Temple University, Philadelphia, PA
1994
Panel Participant, University of California, Los Angeles, "PaintingLanguage Symposium," moderated by David Pagel with the participation of Lydia Dona, Jeremy Gilbert-Rolfe, Fabian Marcaccio, John Miller and Matthew Weinstein, Los Angeles, CA
1993
Adjunct Faculty (to 1997), New York University, Department of Fine Arts, New York, NY
Visiting Artist/Lecture, Rhode Island School of Design, Providence, RI
Visiting Artist/Lecture, Columbia University, Graduate Painting Program, New York, NY
Visiting Artist/Lecture, Empire State College, New York, NY
Visiting Lecture, School of Visual Arts, MFA Program, Department of Fine Arts, New York, NY
Gallery Talk, Whitney Museum of American Art “Artists and Youth: A Dialogue on the Biennial, New York, NY
Visiting Lecture, The Museum of Modern Art, “Conversations with Contemporary Artists”, New York, NY
1992
Panel Participant with Carroll Dunham, Pat Steir, Phillip Taffe and
Terry Winters, moderated by Lisa Phillips Whitney Museum of American Art, New York, NY
Visiting Lecture/Workshop with New York City Public School University, Department of Fine Arts, New York, NY
SELECTED PUBLIC AND PRIVATE COLLECTIONS
Albright Knox Art Gallery, Buffalo, NY
Art Foundation Mallorca Collection, Mallorca, Spain
Brooklyn Museum, Brooklyn, NY
Detroit Institute of Fine Art, Detroit, MI
Fisher Landau Center For Art, Long Island City, NY
Fried, Frank, Harris, Shriver & Jacobson, New York, NY
Agnes Gund Collection, New York, NY
Grunwald Center for Graphic Arts, UCLA Hammer Museum, Los Angeles, CA
Henry Art Gallery, University of Washington, Seattle, WA
Judith Rothschild Foundation, Fort Washington, PA
The Margulies Collection, Miami, FL
Mead Art Museum of Art, Amherst College, Amherst, MA
Metropolitan Museum of Art, New York, NY
Miami Art Museum, Miami, FL
Museum of Art, Washington State University, Pullman, WA
Museum of Contemporary Art San Diego, San Diego, CA
Museum of Modern Art, New York, NY
Neuberger Museum of Art, Purchase College, Purchase, NY
New York Public Library Print Collection, New York, NY
Nice Public Library, Nice, France
Norton Museum of Art, West Palm Beach, FL
Orlando Museum of Art, Orlando, FL
Paine Webber, New York, NY
Progressive Corporation, Cleveland, OH
RISD Museum of Art, Providence, RI
The Rubell Family Collection, Miami, FL
Saatchi Collection, London, UK
Southwestern Bell Corporation, Houston, TX
St. Louis Art Museum, St. Louis, MO
University of Michigan Museum of Art, Ann Arbor, MI
University of Virginia Art Museum, Charlottesville, VA
Walker Art Center, Minneapolis, MN
Whitney Museum of American Art, New York, NY
Williams College Museum of Art, Williamstown, MA
Yale University Art Gallery, Yale University, New Haven, CT
The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ
GRANTS AND AWARDS
2019 Guggenheim Fellowship
2019 Troedsson Villa, Nikko, Japan
2018 Residency, Stykkisholmur, Iceland
2016 Visiting Artists Residency, UrbanGlass, Brooklyn, NY
2015-14 The Lab Grant Residency, Dieu Donne, New York, NY
2012 American Academy of Arts and Letters Art Purchase Award
2010 Anonymous Was a Woman Award
2006 Nancy Graves Grant for Visual Arts
2006 AXA Artist Award
2002 Visual Harlem Artist Exchange Jacob Lawrence Foundation
2001 Pollock Krasner Grant
1999 Skowhegan School of Painting and Sculpture, Resident Faculty
1990 P.S.1 Contemporary Art Center, Clocktower Studio Program, Artists Residency